One of the things that distinguishes Millennials from folks of earlier generations is the relative dominance in one’s daily life of:
Video games.
As someone who’s right on the cusp between Generation X and Millennials, I’m not nearly as into gaming as some of my younger Millennial friends and peers were and still are.
And yet, a significant portion of my childhood was indeed spent playing games and watching other people play them.
As such, a large part of my childhood was spent soaking up video game music.
@Link Crawford recently wrote a great tnocs.com article about commercial jingles.
And I thought: Why not pay tribute to the great video game tunes out there?
The primary goal of any video game is to encourage play and to get players excited about getting their own copy. The mechanics of gameplay are obviously essential to a game’s success, but so is the look and the sound of a game.
The video game was like a toy, a board game, and a cartoon all in one.
The more the cinematic elements of a game stood out, the more impressive, immersive, and addictive that game would be.
The best game soundtracks help to establish setting and theme, though at the very least it’s nice to have some ultra-catchy tunes that add to the delight of the experience.
Given the reliance of game soundtracks on computer chip technology, the evolution of said technology over time played a huge role in what music became possible for games.
The first video game with any music in it was Gun Fight from 1975.
But it was just a bit from Chopin’s Funeral March to indicate when a player died.
Another big step was Frogger in 1981.
It featured different musical tracks that change as you navigate your traumatized frog across the screen.
But the real progress began with the 1983 release of the Nintendo Famicon in Japan, and known in the US as the Nintendo Entertainment System (or NES).
Koji Kondo’s score for Super Mario Bros. was the first major breakthrough in the chiptune medium.
Every different terrain that Mario explored had a different musical theme to set it apart from the rest. The tunes were catchy, but they also helped to conjure moods, such as the dark subterranean worlds, or the ominous dungeons. Not for nothing does pretty much everyone know this music!
Similarly iconic was Kondo’s score for The Legend of Zelda. Instantly memorable and sometimes downright beautiful, perfectly evocative of its fantasy setting.
These soundtracks had significant limitations imposed by the limits of their 8-bit processing technology, but those constraints forced composers to get creative and make the catchiest, most arresting music they could muster.
While some of the tunes literally took from early synth pop like Yellow Magic Orchestra [Super Locomotive: Rydeen], some original work sounds like long-lost YMO jams! [Mega Man 2: Air Man]
Other tunes rock so much, they are just begging to be covered by a live band. [Ninja Gaiden 2: Tower of Lahja]
And indeed, some of them were!
Once SEGA released its 16-bit Genesis system, the race was on:
Given how fast Sonic was, Nintendo needed to pick up the pace! The 16-bit systems offered much better emulations of distinct instruments than the classic 8-bit chiptune.
And thus: we get the Caribbean flourishes in Super Mario World, and the dramatic horns and strings in Final Fantasy 2.
The NES and SNES eras marked the time when I was most immersed in video games. Alas, I missed out on countless later releases on Playstation, Nintendo 64, X-Box, and other systems, games now considered classics by adoring fans. Mea Culpa!
But a few later games did catch my attention.
One was a beautifully immersive Castlevania release in which you can play Dracula’s son Alucard (!!!!). It’s an incredibly fun game, put over the top by its fantastic soundtrack. Some of the areas genuinely gave me the creeps playing them, due in part by some appropriately haunting music.
Another game was Zelda: The Wind Waker for Nintendo Gamecube. Just a lovely game.
And a soundtrack that’s perfect for kids, but something really anyone would love.
And the last one was Hollow Knight. This was the topic of my very first tnocs.com post. Despite my unbridled praise, I actually failed to say much about its soundtrack. This gorgeous game is made absolutely magical by Christopher Larkin’s score.
Seriously, if you just want some nice relaxing music to try out, listen here:
And check out these tracks too, while you’re at it!
What are your…
- Favorite video game tunes?
- Favorite video game covers?
- Favorite Mario Paint Composer tracks?
Favorite anything else? Let me know!
Let the author know that you appreciated their article with a “heart” upvote!
Thank You For Your Vote!
Sorry You have Already Voted!
I’m not a gamer but my son is. Like you say, it’s generational. He’s big into Splatoon and showed me this video of the Nintendo 2019 conference/concert. It’s a live band playing music from the game, with holograms singing and dancing.
https://youtu.be/tj5PV-cz804
It’s nearly an hour long so I suggest skipping around. The first seven minutes are a character from Animal Crossing (another of my son’s favorites) singing a song from that game. Things pick up when the real musicians start playing, and again around the 15 minute mark when the holograms show up. The crowd is totally into it the whole way through.
It’s not something I’d ever listen to on its own but the musical and technological talent is pretty amazing. I’m impressed.
That’s cool! I never played Splatoon (and Animal Crossing is really not my thing–I almost wrote a TNOCS article about how I hated the new one), but the music’s got a great pop energy to it, mashing up all sorts of music styles into a huge sugary rush. Perfect for a concert!
I would totally see a live performance of Hollow Knight music. And despite my wife not being at all into video games, she would go too! She was really impressed with the score. I think the composer will be going places.
My video game recollections are few and far between, but I do remember a few. Mega-Super Bonus Points if anyone can ID the games:
Um, Pac Man, Space Invaders, Asteroid, and Myst?
No.
Yes.
Yes.
Yes.
I need to work on better clue obfuscation.
Where are Click and Clack when you need them?
Don’t drive like my dog.
Is this a relevant question?
https://www.youtube.com/watch?v=9Z6Bt89Y3-4
First one has to be Pong, right? (We had a generic home version of it ca. 1979, with Tennis, Squash, and Racquetball. Only sounds were blips when the ball hit the “paddles” and the wall.)
Edit: ah, Phylum got it (well, Frank Black got it).
According to the Space Invaders’ creator, the invaders were galactic squids.
I totally forgot to add this one, an easy-listening classic from the SNES era:
https://www.youtube.com/watch?v=-e_TAj_asnY
I’ve never been a gamer – deprived childhood, my mum didn’t approve so never had a computer / console or even a Gameboy. Other than a bit of Pac-man and Donkey Kong online, playing Mario kart against my daughter on the Wii is about as far as I’ve gotten.
As such I can’t join in with the love of the music given that I rarely encountered any games. It all struck me as annoying bleeps though listening to some of these I’m happy to be proved wrong – the Hollow Knight music is pleasantly ambient.
I can provide music trivia though. In the land of the novelty record we were bound to get onto the gaming craze and in 1992 these three ‘beauties’ all charted.
Dr Spin – Tetris – charted at #6
Fun and unbelievable but true fact; Dr Spin is king of the musical Andrew Lloyd Webber in his little known rave phase. Or rather his shameless cash in money making phase. Owes quite a bit to 2 Unlimited to my ears.
https://youtu.be/a_O35BDdtWY
Ambassadors of Funk – Supermarioland – charted at #8
The man behind this one was Simon Harris who’s day job was a respected head of the Music Of Life label and hip hop / house music producer and remixer. Shameless cash in again comes to mind and an agreeably cheap video.
https://youtu.be/A2nF92mu8X0
HWA ft Sonic the Hedgehog – Super Sonic charted at #33
Its a low bar but I’d say this is the best musically even though it did the worst. HWA stands for Hedgehogs With Attitude.
https://youtu.be/MoubaWRkuHk
Yeah, I imagine the sound of chiptune is like an exaggerated version of how a lot of people hear synth pop in general: thin, tinny, rinky-dink emulation of more conventional instruments.
I was going to include a beloved tune from the Duck Tales game, but even I wince at its high-pitched whines!
But just as synth-pop has become the new “classic” to reference, there are plenty of bands now that incorporate the retro chiptune sound into their music. Perhaps most notable is Crystal Castles, but I also like Light Asylum, who were like Grace Jones singing Nitzer Ebb songs as the band play Nintendo.
https://www.youtube.com/watch?v=Olq7YBdI4e0
Not heard of Light Asylum before but really like that track. Reminiscent of an early 80s alternative synth sound. Saw Crystal Castles in 2011, it was more an ordeal than a gig. The aesthetic was fantastic, stark black and white with a constant strobe like lighting effect married to a pummelling all encompassing electro sound and visceral shrieking vocals. A total sensory overload. Their take on I’m Not In Love with Robert Smith is one of my favourite tracks ever. And then it all came crumbling down…..
Yeah, it’s hard to go back to their music knowing what a psychopathic sleaze bag Ethan Kath was to Alice Glass. But it’s her music too, and it is brilliant.
Light Asylum’s album is great. They’re one of many bands that just stopped making music for some reason. I did get to see Shannon Funchess perform on The Knife’s Shaking the Habitual tour (she appears on their song “Stay Out Here”), but another LA album would be nice…
Can’t forget this. The same developer I wrote the Catalyst soundtrack for asked me to do another one for a game he’s working on. The project is on hold at the moment but he sent this to give me an idea of what he’s looking for. I installed the game, Tsuki Adventure, and its sequel, Tsuki Odyssey, on my phone and have been playing them for a few years now.
https://youtu.be/8MbT3snVR0s
I think also deserving of mention is 1983’s arcade game Spy Hunter, which repurposed Henry Mancini’s Peter Gunn theme to incredible effect (even if it didn’t play as a continuous score.)
https://youtu.be/_AWILugarIk
Those arcade systems sure had a much fuller sound than the older home systems. It sounds like a proper analog synthesizer!
There’s no music in Qbert, but I love all of the weird sound effects throughout–something that probably wasn’t possible for home systems until the 90s!
https://www.youtube.com/watch?v=HKIbhaQfs-A
IIRC, the “Thunk” sound when Q*Bert fell off the pyramid was actually created by a mechanical apparatus in the base of the cabinet, so it felt like he had landed on the floor.
Can confirm. Sounded like a pinball hitting the inside of the cabinet. And then Qbert would curse in Qbert language. Potty mouth.
I can TOTALLY relate to this! EXCEPT that I was never much of a gamer. Oh, I dumped my share of quarters into machines in the early 80s, but other than an Atari 2600, I don’t have much experience on home systems. I really don’t enjoy gaming much at all now.
But if I were a gamer (I’d game in the morning, I’d game in the evening…), I have no doubt that I would probably obsess over video game music. I know my son has video game tunes saved to his phone.
Do you remember the Sears knockoff console and games?
Whatever year Electronic Arts discontinued their college football and college basketball games was the year I stopped playing. Thanks a lot, Ed O’Bannon.
Yeah, it’s a unique kind of novelty music. Despite the limited tech and the crass commercial interests, the composers often poured their hearts and souls into those tinny tunes.
I thought you’d appreciate this guy’s a capella renditions of old NES tracks. He turns chiptune music into some bizarro form of barber shop.
https://www.youtube.com/watch?v=4qwKCQ4M2Nw
“Play-Station.” That’s the voice of Takako Minekawa. She’s still an active artist. “Fantastic Cat” is what I know her best for. I bought Roomic Cube because my Shonen Knife CDs were homesick.
Netflix is streaming a documentary series about video games called High Score. Pac-Man was marketed to females. I didn’t know that. High Score is okay, but nothing can beat The King of Kong: A Fistful of Quarters. It’s so bizarre, I have a hard time believing that nothing was scripted. The antagonist looks like an evil Kenny Loggins. I’m glad the plan to make a narrative film fell through.
I like the music for Dig-Dug.
Was that really Takako Minekawa saying “Playstation?” That’s awesome. Yeah, Roomic Cube is fantastic. What a range, from the cartoon cutesiness of “Fantastic Cat” to the dark, blistering “Destron.”
Have you heard of The Sonic Dreams Collection? It’s an indie production that takes Sonic the Hedgehog and puts him in what can only be described as an “art game.” Bizarre, confusing, and sometimes disturbing! Like if Harmony Korine teamed up with Eric Wareheim to make a psychoanalytic gaming experience based on Sonic.
https://www.youtube.com/watch?v=A8uQzct8q00
I fall in with JJ on this and was always a ‘visiting Atari’ player as a kid. I would occasionally play NES at friends houses when that first came out. Only video games I had at home as a kid were games I could play on the Commodore 64. And I don’t think I ever turned the sound on for those because it was usually just the same droning buzz for every game. I did play them alot though, I had an Olympics one that had certain clunky classical selections for the figure skating competition; Blue Max (a plane bomber game); and a Race Car one. Oh, and this game called Temple of Apshai that I thought was so advanced, there were doors off hallways you had to open and move through levels, with either monsters and or a treasure in the room, man I was always playing that.
With the sound off. 🙂
You might not be into this game, but I have a feeling you’d be into the soundtrack!
https://www.youtube.com/watch?v=85pq0GbwcBo
My colleague shared your article with me and I found it very useful after reading it. Great article, it helped me a lot. I also hope to make a beautiful website like your blog, hope you can give me some advice, my website: gate io cannot withdraw
This creamy goodness from the 16-bit era:
https://youtu.be/B6bFGGwZcko
… clearly (along with some Jan Hammer) inspired this one:
https://youtu.be/5p1vacn3KcE
Hey now, these are some groovin tunes. Very nice.
I mentioned Castlevania: Symphony of the Night in my post, but I didn’t point to this lite funk acid jazz gem:
https://www.youtube.com/watch?v=_JtTscKXXFA
Oh no, I see that the link for Hollow Knight music is no longer available.
Here’s the full soundtrack!
https://www.youtube.com/watch?v=CbaFAQbCkdc